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I make photographs with a focus on moody minimalism and quiet stories. I’m drawn to moments most people overlook — small details, simple structures, and the calm that exists in between. My work moves between architecture, street life, people, wildlife, and abstract forms, guided by emotion, geometry, silence, and light.
I make photographs with a focus on moody minimalism and quiet stories. I’m drawn to moments most people overlook — small details, simple structures, and the calm that exists in between. My work moves between architecture, street life, people, wildlife, and abstract forms, guided by emotion, geometry, silence, and light.
I started photography in 2010 while working as a PA to the Ambassador of Indonesia in Fiji. The camera became part of my daily routine, and it stayed with me. In 2018, I studied at the New York Institute of Photography to deepen my understanding. I’m now based in Vancouver, continuing to practice and refine my eye.
I started photography in 2010 while working as a PA to the Ambassador of Indonesia in Fiji. The camera became part of my daily routine, and it stayed with me. In 2018, I studied at the New York Institute of Photography to deepen my understanding. I’m now based in Vancouver, continuing to practice and refine my eye.
I don’t see photography as a competition. There’s no right or wrong — just timing, instinct, and how each person sees the world. I want people to look at my images and feel something, or learn something, even if it’s small.
I don’t see photography as a competition. There’s no right or wrong — just timing, instinct, and how each person sees the world. I want people to look at my images and feel something, or learn something, even if it’s small.
My goals are simple: keep growing, share what I know, travel, and maybe one day make a living from the work. For now, I shoot because it keeps me present and connected.
My goals are simple: keep growing, share what I know, travel, and maybe one day make a living from the work. For now, I shoot because it keeps me present and connected.
Gear I use
I work with a Fujifilm X‑T2 and a small, intentional set of lenses. The 23mm f/1.4 is my main voice, close, honest, and grounded. The 56mm adds depth and quiet drama, while the 27mm pancake keeps me light and invisible when I need to disappear into the street.
I keep the 18–55mm for flexibility and the 50–140mm for controlled reach. My filters from K&F Concept and Prism FX shape light without disturbing the moment.
My tools stay simple so the story can stay complex.
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